The cut is tracks and clips you drag, sitting beside the very frames it is built from.
The AI video maker that cuts on a real timeline
Shyne lays the cut out as tracks, clips and a score beside the frames it is built from. Trim, retime and retype the captions, then export MP4 and keep editing.
A real timeline on the canvas, still editable after the render.
The shared live canvas: the video cut on its timeline beside the deck, calendar and brand frames it draws from. Click in and drag a clip.
Edit video the way you edit design
Describe the film and Shyne assembles it on a real timeline: picture in tracks, a score underneath, captions as live text over the clips. The whole edit sits on the same canvas as the frames it is cut from, so the title card in the video is the title card you designed.
Most AI video tools hand you a finished file and a prompt box to argue with. Shyne hands you the edit itself, so tightening the cut is dragging a clip end, not generating take four.
A cut made of layers, not baked into pixels
Every clip, lower third and caption is an element the editor can select. Captions read the same design variables as the rest of the project, so they restyle when the brand does and stay sharp at any size.
Because the timeline lives beside your frames on one canvas, the still you designed and the shot in the cut are the same object. Fix it once and both are fixed.
The caption is text, not pixels in the picture.
What the AI video maker puts on your timeline
Tracks and clips
Picture and sound sit in tracks you trim, split and reorder by dragging.
A score underneath
An audio bed runs the length of the cut, with spot sounds layered over it.
Captions as text
Lower thirds are live type that restyles with your brand and never goes soft.
Stock and media
Search stock footage and stills from inside the project when a shot was never filmed.
Cutdown stills and feed posts live in the same project as the film, reading the same brand.
Every AI works on the same video canvas.
Bring the agent you already use. It reads the brief, sees the work and writes the next editable frame — no exported file, no paste, no drift.
Cut these six clips into a 30 second teaser with captions. build the complete working system.
A captioned teaser cut on the timeline is now composed on the same live canvas.
Cut these six clips into a 30 second teaser with captions. create three useful variants.
A captioned teaser cut on the timeline is now composed on the same live canvas.
Cut these six clips into a 30 second teaser with captions. compose the visual direction.
A captioned teaser cut on the timeline is now composed on the same live canvas.
Cut these six clips into a 30 second teaser with captions. turn the approved frame into code.
A captioned teaser cut on the timeline is now composed on the same live canvas.
Cut these six clips into a 30 second teaser with captions. prepare the publishing pass.
A captioned teaser cut on the timeline is now composed on the same live canvas.
Cut these six clips into a 30 second teaser with captions. run your own workflow on the canvas.
A captioned teaser cut on the timeline is now composed on the same live canvas.
One shared canvas
Every video frame stays visible to people and agents at the same time.
Always on brand
Your colors, type and reusable assets stay attached to every video variation.
Editable output
The result lands as real frames and objects, ready for the next human decision.
Media in context
Generate or place imagery where the composition needs it, without leaving the working surface.
Open to every agent
Claude, ChatGPT, Gemini, Cursor, Grok and your own agent work through the same MCP surface.
Ready to ship
Move from the approved canvas to the useful file, link or published format without rebuilding it.
Ask for the cut, keep your trims
The agent edits on the same timeline you do, so a request lands as changed clips, not a fresh render. Your trim points and caption fixes survive every ask.
- Tighten this to 30 seconds for the feedClips are trimmed and reordered on the timeline in front of you.
- Swap the score for something warmerA new bed drops under the whole cut with your spot sounds kept in place.
- Caption every spoken lineLive text lands over the clips in your brand type, ready to retype.
The approved cut leaves as MP4 while the timeline stays behind, ready for the next end card.
Render at the end, not after every fix
Export MP4 when the cut is approved. The timeline stays open behind it, so the version with a different end card is an edit, not a rebuild.
The MP4 is a copy of the cut. The cut itself never stops being editable.
Questions
Is Shyne an AI video maker or a video editor?
Both, on one surface. The agent assembles a cut from your clips and brief, and what arrives is a real timeline with tracks you trim, reorder and score yourself.
Can I change the video after it renders?
Yes. The timeline stays live after every export, so you reopen the cut, change the clip or caption, and render a fresh MP4. Nothing gets rebuilt from a flat file.
How do captions work in Shyne videos?
Captions and lower thirds are live text on frames, not pixels burned into the picture. They read your design variables, so a brand change restyles them across the whole cut.
What formats can a video project leave as?
MP4 for the finished cut, PNG for stills pulled from its frames, or a live link when someone should see it playing on the canvas itself.
Cut a video
A real timeline on the canvas, still editable after the render.
Open Shyne →
